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Alice Walton has once again claimed the crown as the world’s richest woman, according to Forbes’ 2025 World's Billionaires List. With an estimated fortune of $101 billion, the Walmart heiress has overtaken L'Oréal’s Françoise Bettencourt Meyers, who held the spot since 2021. This shift—the first in five years—marks Walton’s entry into the exclusive "$100 Billion Club,” highlighting not only her financial ascent, but her dual legacy as a philanthropist and cultural leader.<figure class="image"><img src="https://prd-cdn.jessicahk.com/1711751267015_6e1701c687.jpeg" alt="1711751267015.jpeg"><figcaption>Photo courtesy of the Alice L. Walton Foundation</figcaption></figure>A Retail Empire Fuels a Historic Rise As the only daughter of Walmart founder Sam Walton, Alice has inherited her share of the retail giant that reshaped shoppindeg habits worldwide. Her wealth soared by $28.7 billion in the past year, driven by a 40% surge in Walmart’s stock due to its affordability amid inflationary pressures. Her estimated 11% stake now places her among just 15 centibillionaires worldwide, a milestone reached by Bettencourt Meyers in 2024. At 75, Walton trails her brothers Rob ($110 billion) and Jim ($109 billion) on the global list but stands apart by leveraging her wealth into art, education, and healthcare.From Finance to a Cultural Legacy Unlike her siblings, who maintain close ties to Walmart’s corporate operations, Alice forged her own path early in life. After graduating with an economics degree from Trinity University, she briefly worked at Walmart before pursuing a career as a stockbroker in New Orleans. In the 1980s, she returned to Bentonville, Arkansas, where she managed investments at the family’s Arvest Bank and later founding Llama, a $19.5 million lending and brokerage firm. When Llama closed in 1998, Walton pivoted to her true passion: art.Her most enduring legacy is the Crystal Bridges Museum of American Art. Founded in 2011, the museum sits on 120 acres donated by the Walton family. Featuring works by masters like Andy Warhol and Georgia O’Keeffe, the $1.6 billion museum—funded largely through trusts honoring her late brother John and mother Helen—offers free admission to all. Under Walton’s leadership, the museum expanded its reach with The Momentary in 2020, a contemporary arts venue, and plans a major addition for 2026, cementing Alice’s vision of creating a hub for creativity and learning.<figure class="image"><img src="https://prd-cdn.jessicahk.com/45_35e436123b.jpg" alt="45.jpg"><figcaption>Photo courtesy of the Alice L. Walton Foundation</figcaption></figure>Philanthropy with Purpose Alice’s impact extends far beyond galleries. Over the past decade, she has donated over $5.8 billion in the last decade to various charitable foundations, including the Walton Family Foundation and her own Art Bridges Foundation. These organizations support initiatives ranging from education reform and environmental conservation to expanding access to American art across rural and underserved communities.Her boldest move yet is the Alice L. Walton School of Medicine, slated to open in July 2025 in Bentonville. Backed by a $249 million gift, it aims to blend arts, humanities, and whole-health principles, training doctors to treat patients holistically—a concept born from her own artistic journey.Her commitment to wellness extends further through the Heartland Whole Health Institute, which advocates for innovative healthcare solutions rooted in patient-centered care. Both institutions will soon occupy state-of-the-art facilities connected via trails to Crystal Bridges in a tangible connection of art, nature, and well-being.<figure class="image"><img src="https://prd-cdn.jessicahk.com/about_card_40fb316da0.png" alt="about-card.png"><figcaption>Photo courtesy of the Alice L. Walton Foundation</figcaption></figure>A Lasting Mark Alice’s visionary efforts have earned her numerous accolades, including the Smithsonian’s Archives of American Art Medal and a spot on TIME’s 2012 most influential list. But her real legacy lies in her unwavering dedication to improving lives: fostering education, boosting Northwest Arkansas’ economy, and championing diversity in the arts. As the world celebrates her return to the top, Alice Walton proves wealth is just a tool—what matters is how it’s wielded.

Caroline Tam

English Editor 

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Walmart Heiress Alice Walton Reclaims Title as World's Richest Woman

As of tomorrow, Jaffa Lam is no longer the academic head of Hong Kong Art School (HKAS). It's a place she's called home for the last 24 years, where she began as a part-time technician at the sculpture studio. She taught her final class last Thursday.In the same week, she made appearances at Art Central and Art Basel 2025, where her Mobile Wisdom was on display – a rainbow coloured bookshelf-cum-hammock made of recycled umbrella. Last weekend, she traveled to her exhibition in Shenzhen – her first solo museum show in over a decade featuring a handful of her residency projects from the last two decades.&nbsp;While colleagues lament her departure, Jaffa is eager to resume her role solely as an artist, free to continue her life-long mission of making art with marginal groups and free from the corporate duties that rewarded her with a stable salary to support her late mother's hefty medical bills. Ambitiously, she also wanted to throw herself into the deep end and see if her cross-disciplinary sculptures would sink or float in a city where they are scantily collected or understood.<figure class="image"><img src="https://prd-cdn.jessicahk.com/20221012_A_Xjaffa12359_b616881fd1.jpg" alt="20221012AXjaffa12359.jpg"><figcaption>Jaffa’s ”Chasing an Elusive Nature” in 2022 at Axel Vervoordt Gallery in Hong Kong. Photo courtesy of Jaffa Lam</figcaption></figure>At 52 years old, Jaffa is still a rebel and dare-devil at heart.Though Jaffa's name is no stranger amongst corporations, museums, exhibitions, art festivals and artist residencies from Denmark to France, Germany to Japan, she only sold her first gallery piece at the age of 49 in a group show at Axel Vervoordt – serendipitously a year before she'd vow to "burn all the art pieces" and likely give up her art career had they remained unappreciated, collecting dust in her studio in Fo Tan."I wanted to burn them all in front of the Hong Kong Museum of Art because they never take my work," she laughs, half-jokingly.<figure class="image"><img src="https://prd-cdn.jessicahk.com/20221012_A_Xjaffa12402_7acaf1b5c3.jpg" alt="20221012AXjaffa12402.jpg"><figcaption>Jaffa’s ”Chasing an Elusive Nature” in 2022 at Axel Vervoordt Gallery in Hong Kong. Photo courtesy of Jaffa Lam</figcaption></figure>The positive response from the group show saw a solo exhibition, also at the Wong Chuk Hang-based gallery, in 2022. Amidst her signature pieces made from upcycled wood and transformed industrial waste, Jaffa deliberately kept a gallery wall riddled with marks where "really expensive paintings" previously hung. After the exhibition, she pleaded to remove and include the wall as a part of the collection. Understandably, the staff brushed her off: what was she thinking?Then, gallery director Boris Vervoordt visited: he looked at the wall, toyed with her outrageous request for a few minutes and, much to the staff's surprise, said yes. The wall currently sits in Axel Vervoordt's archives while a work from the show – A Piece of Good Water III – found its home in M+ museum."What can I say, I am a rebel: I like to challenge people and institutions," says Jaffa.Such clout to go against the tides is the undercurrent of Jaffa's life. It peeled her away from her study of Chinese calligraphy and painting during her Bachelor of Arts, after a senior had told her she must learn under a master's tutelage for three decades before she could make a name for herself. Impatient, she shifted to Chinese rubbings, and, in the process of making its slabs, contemporary art.<figure class="image"><img src="https://prd-cdn.jessicahk.com/jaffalam_1691167155_3162061744933816920_1592519221_e82c00ccff.jpg" alt="jaffalam_1691167155_3162061744933816920_1592519221.jpg"><figcaption>Photo from Instagram @jaffalam</figcaption></figure>The Bet that Changed Her Life One night after she landed in New York for what was a predominantly research trip in 2007 – seven years after attaining her Master of Fine Arts and Postgraduate Diploma in Education at the Chinese University of Hong Kong – she found respite at a Fujianese restaurant that served food from the region where she called home prior to the age of 12. Feeling nostalgic, she struck up a conversation with the owner, who couldn't fathom the possibility of a petite lady from his hometown as a successful artist."'People from Fujian don't become artists', he said," recalls Jaffa. "He'd believe me only if I showed in Chelsea (New York's art hub and home of the Gagosian Gallery)."She won the bet in just five months' time; and as a thank-you gift for the owner's motivation, she custom-made a few pieces for the restaurant. One of the most notable was a lit-up neon sign that read "we cook art here". Though the Chinese restaurant is now a cafe and the owner is long gone, the experience bookended her search for the kind of artist she had wanted to be: one that doesn't just work for communities, but with them to make art that bears meaning and connection &nbsp;– elements she, till this day, still value much more than pocketing big bucks.&nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/cookart01_7ddba21d74.jpg" alt="cookart01.jpg"><figcaption>Jaffa’s gift to a Fujianese restaurant after making a bet with the owner. Photo courtesy of Jaffa Lam</figcaption></figure>Such was her groundbreaking debut in Art Basel 2023's Encounters section – a 14-metre canopy of recycled umbrella fabric that's anchored onto six sculptures of industrial trolleys-cum-chairs. Titled Trolley Party, the piece was done in partnership with the craftswomen of the Hong Kong Women's Workers Association and highlights themes of unseen labour, identity and collectiveness of the city.The new-found spotlight pleased Jaffa, but not as much as seeing the children of the craftswomen playing under the mammoth piece that their mothers helped to create.<figure class="image"><img src="https://prd-cdn.jessicahk.com/ABHK_23_EN_2_Axel1721_Kitmin_Lee_978aad3b0e.jpg" alt="ABHK23-EN2-Axel1721KitminLee.jpg"><figcaption>Jaffa’s “Trolley Party” at Art Basel 2023. Photo courtesy of Jaffa Lam</figcaption></figure>Admittedly, her motivation to work with varied communities stems from her trying childhood. After leaving a home of natural beauty in Fujian for Hong Kong in 1985, she and her family of four lived in an illegal structure on a rooftop in Kwun Tong's industrial area, where crime and discrimination were routine amongst new immigrants struggling with Cantonese. She was bullied in school and her parents were almost always working. To contribute, she took a cash-in-hand job at a garment factory, where she cut loose threads off the finished clothing, sometimes earning less than HK$1 per dozen pieces. Since she was underaged, she was shooed to hide whenever officers from the labour department came to conduct checks."The discrimination really hit me," says Jaffa. "Making art with these communities and seeing the women and the children realize their success at an event they'd otherwise never attend really helped release my anger and trauma."&nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/IMG_9634_1e9c8c0650.jpg" alt="IMG_9634.jpg"><figcaption>Jaffa’s “Seek Your Mountain” installation in Fujiyoshida city, Japan. Photo courtesy of Jaffa Lam</figcaption></figure>Despite her success, she still laments the limited power of artists in society without the money to spread their messages. While she's fortunate the galleries she's worked with aren't hooked on sales figures, she's not naive to the challenges of selling and understanding sizable sculptures in Hong Kong; but she's here to make the fight, free from the financial stability she's enjoyed for the past 24 years."People think I'm leaving HKAS because I've earned enough money, but that's far from the case. I want to test myself and the market: I've given myself a five-year timeline since selling my first piece in 2022, so we'll see."

Joyce Yip

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Artist for the People: Jaffa Lam

Monica Lau

Senior Digital & Features Editor

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「黑暗感官盛宴」首度引入香港！結合美食與感官探索的沉浸式體驗！讓你感受摸黑用餐的滋味！

當藝術及彩妝兩者結合之下，不僅讓我們看到了美的多樣性，也同時令大家生活擁有了創造美的可能性。所以，彩妝不單是面容的修飾，而是一門藝術的延續及表現；現在就讓我們一起展開這場美學之旅吧！ Text： Polly So Photo : Jeff Makeup : Karen @ hongkongmakeup Nail Artist ：Arya<h2>Skin as Art</h2>今年底妝趨勢裸光肌膚依然是主流，但加入了更多科技與藝術 元素，例如智能調色粉底，能根據膚色與光線自動調整，打造出如 絲緞般的細膩質感。同時，可持續美妝理念深入人心，品牌推出環保包裝與純素配方的底妝產品，讓美麗與環保並存。藝術化的修容 技巧也成為焦點，通過光影的層次感，讓肌膚呈現出如雕塑般的立體美感。<figure class="image"><img src="https://prd-cdn.jessicahk.com/1_011aeb7019.jpg" alt="1.jpg"><figcaption>Prada Beauty Mesh Cushion 原光新肌氣墊粉底 SPF 50+/PA+++ $660&nbsp; Make up for ever Super Boost Skin Tint 超能亮肌有色底霜 $360</figcaption></figure><h2> 當化妝品藝術化</h2>化妝品藝術化是近年來美妝產業的一大趨勢，它將化妝從日常的實用性提升為一種藝術表達形式。這種轉變不僅讓化妝品成為妝容的一部分，更讓它們成為藝術創作的重要媒介。藝術化的化妝品 不僅在色彩、質地和包裝上展現出獨特的設計感，更通過與藝術家的合作，將文化、故事和情感融入 產品中，讓每一件化妝品都像是一件微型藝術品。 藝術化的化妝品首先體現在產品的設計上。許多品牌開始與知名藝術家合作，推出限量版包裝或 聯名系列。例如，M.A.C. 與 Keith Haring 的合作系列，將街頭藝術的塗鴉風格融入口紅和眼影盤的設 計中，讓產品本身成為一種視覺藝術。這種設計不僅吸引了藝術愛好者的目光，也讓普通消費者感受 到藝術的魅力。 <img src="https://prd-cdn.jessicahk.com/2025_03_28_2_45_54_3de9a7c047.png" alt="螢幕截圖 2025-03-28 下午2.45.54.png">此外，品牌如 Shu Uemura 與村上隆的合作，以其標誌性的太陽花圖案和繽紛色彩， 創造出充滿童趣與夢幻感的化妝品，讓使用者在化妝的同時，彷彿置身於藝術的世界。 除了包裝設計，化妝品的色彩與質地也成為藝術表達的一部分。藝術化的化妝品不再局限於傳統 的色調，而是大膽運用創新的色彩組合與質感，例如金屬光澤、漸變效果或特殊紋理。這些設計靈感 往往來自自然、建築或經典藝術作品，讓化妝品成為一種可穿戴的藝術。例如，NARS 與攝影師 Sarah Moon 合作的限量系列，以其夢幻的攝影作品為靈感，設計出充滿詩意的眼影盤與唇膏，讓用家在化 妝時彷彿在畫布上創作。化妝品藝術化的趨勢不僅提升了產品的價值，也讓美妝成為一種文化現象。它讓消費者在日常的 化妝過程中，感受到藝術的啟發與樂趣，同時也推動了美妝產業的創新與多元化發展。當化妝品藝術 化，美妝不再只是外在的修飾，而是一種內在情感與創意的表達。 &nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/2_e536751c72.jpg" alt="2.jpg"><figcaption>Hermès Rouge Brillant Silky Lipstick (limited edition) $660&nbsp; Prada Beauty Monochrome Brown 限量版唇膏 $395&nbsp; Make Up For Ever Super Boost Lip Gloss 超能冰透護唇蜜 $220</figcaption></figure><h2> Lips as Canvas</h2>裸色唇妝再度成為焦點，但與以往不同的是，今季的裸色更注重質感與層次，並巧妙地融入了藝術元素，讓唇妝不僅是妝容的一部分，更成為一種微型藝術創作。帶有微微光澤的裸色唇膏，既能提亮膚色，又不會過於張揚，適合日常妝容。這種「低調奢華」的風格，強調自然健康的唇色，彷彿未經修飾卻又精緻動人。 &nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/3_c253ab045c.jpg" alt="3.jpg"><figcaption>Guerlain KISSKISS 親親蜂燦亮彩潤唇膏 $340</figcaption></figure>&nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/4_62e080917c.jpg" alt="4.jpg"><figcaption>YSL Beauty 全新高訂皮革胭脂 $465</figcaption></figure><h2> Artful Eyes</h2>眼睛作為靈魂之窗，不僅是情感的載體，更可以成為藝 術家表達美學與思想的畫布。透過眼妝的創作，藝術與時尚 的界限被打破，呈現出令人驚艷的視覺效果。 &nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/Polly_jessica_new_website_and_FB_42_00a46ed9f9.jpg" alt="(Polly) jessica new website &amp; FB (42).jpg"><figcaption>Guerlain OMBRES G 眼影組合 $775 Charlotte's Palette Of Beautifying Eye Trends 9色美眸眼影盤 $530 Make up for ever Artist to go mini eyeshadow palette $340</figcaption></figure><h2>妝容與藝術</h2>妝容藝術不僅展現了個性與創意，更成為一種文化現象。東方水墨畫的柔美筆觸與西方油畫的 濃烈色彩，在妝容中找到完美平衡。例如，Clé de Peau Beauté 的設計靈感來自東方美學，而 Dior Beauty 則融合了西方藝術的抽象風格，讓妝容成為多元文化的載體。另外妝容藝術不斷挑戰傳統界 限，將金屬、珠寶甚至小型雕塑融入設計中。這種創新常見於時裝秀場或藝術展覽，讓臉龐成為真 正的藝術畫布。 Guerlain 的高級系列將珠寶設計與妝容結合，讓化妝品本身也成為視覺藝術。 妝容與藝術的結合，是一場視覺與創意的盛宴。化妝不僅是對外在美的修飾，更是一種藝術表 達形式。從底妝的細膩層次到眼妝的色彩碰撞，每一筆觸都彷彿在肌膚上繪製一幅畫作。藝術家的 創作靈感與化妝師的技巧相結合，讓妝容超越了日常的實用性，成為一種可穿戴的藝術。 這種融合體現在多個層面。好像底妝可以通過光影與色彩的運用，打造出如雕塑般的立體感； 眼妝則可以借鑒抽象藝術的線條與色塊，創造出充滿張力的視覺效果。而唇妝則像是最後的點睛之 筆，為整體妝容注入靈魂。<img src="https://prd-cdn.jessicahk.com/2025_03_28_2_46_06_736793af94.png" alt="螢幕截圖 2025-03-28 下午2.46.06.png"> 藝術化的妝容不僅展現了個性與創意，更成為一種文化現象 。 化妝成為一種自我表達的方式，讓每個人都能在肌膚上創造出屬於自己的藝術作品。而當這種 藝術延伸至指尖，甲藝（指甲藝術）的加入，更為整體造型增添了細節與層次。甲藝將指尖變成了微 型畫布，通過精緻的圖案與色彩，與妝容相呼應，讓美學從臉部延伸至指尖，完成一場從頭到腳的 藝術之旅。&nbsp;

Polly So

Digital Content Director, Beauty

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妝容美學：將藝術融入日常的每一筆

香港藝術週的焦點盛事「Art Central」將於2025年迎來第十屆里程碑。自2015年創立以來，這場藝術盛宴持續突破當代藝術的疆界，成為亞洲最具活力的藝術樞紐之一。今年3月26日至30日，中環海濱將化身為全球藝壇的舞台，匯聚逾百間畫廊、500位藝術家，橫跨攝影、雕塑、裝置、影像與表演藝術。在首席夥伴大華銀行支持下，展會更首度推出委約香港藝術家唐納天的大型裝置，並攜手Akeroyd Collection放映獨家影像藏品，為十週年注入革新能量。 &nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/Nadim_Abbas_A_Brazen_Rift_After_Branzi_2025_commissioned_installation_Image_courtesy_of_Art_Central_Photo_credit_to_Eric_Hong_2_70cd0e7cad.jpg" alt="Nadim Abbas, A Brazen Rift (After Branzi), 2025, commissioned installation. Image courtesy of Art Central. Photo credit to Eric Hong (2).jpg"><figcaption>Nadim Abbas, A Brazen Rift (After Branzi), 2025</figcaption></figure><h2>經典與前衛的交鋒&nbsp;</h2> 本屆亮點橫跨世代與媒材，既有向藝術先驅致敬的深沉底蘊，也不乏新銳的大膽實驗。日本激浪派大師饗暱的《Rainbow Man and Woman》以繽紛壓克力拼貼挑戰視覺慣性；澳洲原住民藝術家Emily Kam Kngwarray晚年爆發的抽象繪畫《Amekameke - Sacred Place》，將於泰特現代美術館個展前搶先亮相。香港藝術家馮美華的錄像裝置，則以數位媒材重探身份政治，呼應其創辦「錄映太奇」的草根精神。而唐納天受建築師Branzi啟發的《A Brazen Rift》，以模組化結構重構都市想像，在展場人流與城市脈動間創造詩意對話。 &nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/Roxane_Revon_Symbiosis_detail_2025_silk_panels_mycelium_wheatgrass_roots_each_110_x_300_cm_Image_courtesy_of_Art_Central_Photo_credit_to_Eric_Hong_478a5a8344.jpg" alt="Roxane Revon, Symbiosis (detail), 2025, silk panels, mycelium, wheatgrass roots, each 110 x 300 cm. Image courtesy of Art Central. Photo credit to Eric Hong.jpg"><figcaption>Roxane Revon, Symbiosis, 2025</figcaption></figure><h2>「Legend」專題</h2> 為慶祝十週年，策展人鄭得恩策劃「Legend」畫廊專題，聚焦六位1970年前出生的亞太藝術先驅。從細江英公超現實攝影的幽微張力，到梅丁衍混媒裝置中對意識形態的尖銳提問，展區宛如一部活的藝術史。雙人展覽則打破單一視角——拉脫維亞組合Eglitis與Kosiré以物料抽象碰撞出理性與感性的火花；首爾畫廊Luan &amp; Co.推出Choi與Bang的油畫對話，在靜物與疊影間探尋現實的多重層次。異體雕塑項目更突破平面框架，戴瑩的紙本礦物彩繪、Shinduk Kang的流動金屬裝置，在空間中編織出物理與隱喻的網絡。 &nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/Dai_Ying_Temple_2_2025_Xuan_Paper_fabric_screen_cotton_stainless_steel_cinnabar_Chinese_pigments_water_ceramic_plate_light_bulb_330_x_250_x_180_cm_Courtesy_of_the_artist_Yiwei_Gallery_2_c50ef2160d.jpg" alt="Dai Ying, Temple 2, 2025, Xuan Paper, fabric, screen, cotton, stainless steel, cinnabar, Chinese pigments, water, ceramic plate, light bulb, 330 x 250 x 180 cm. Courtesy of the artist,Yiwei Gallery 2.jpg"><figcaption>Dai Ying, Temple 2, 2025</figcaption></figure><h2>&nbsp;</h2><h2>新生代狂想舞台&nbsp;</h2> 今年首設的Central Theatre，將成為亞洲新銳的實驗場。新加坡藝術家傅秀璇以虛擬人偶重演東亞經濟奇蹟下的科技東方主義；廣州藝術家覃小詩透過山水與傳說的交纏，叩問數位時代的歸屬焦慮。講座表演（Lecture-Performance）形式更打破展演界線——陳子雯挪用B級恐怖片美學，解構華語電影中的母性神話；徐皓霖與黃百亨以故障CCD相機拼貼記憶碎片，在低畫素噪點中重探死亡的數位隱喻。當影像藝術在Akeroyd收藏的《Virus Becoming》中質問生物政治，Riar Rizaldi的《Mirage - Eigenstate》已將西方科學解構為多元世界觀的一隅。這裡沒有標準答案，只有無盡的提問與可能。 &nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/Riar_Rizaldi_Mirage_Eigenstate_2024_single_channel_video_30_00_Courtesy_of_the_artist_1_4e5a55dae9.jpg" alt="Riar Rizaldi, Mirage – Eigenstate, 2024, single-channel video, 30’00”. Courtesy of the artist (1).jpg"><figcaption>Riar Rizaldi, Mirage – Eigenstate, 2024</figcaption></figure>

Lucas Tang

Managing Editor

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Art Central十週年必看亮點！唐納天巨型裝置、細江英公遺作首展

It was a beautiful day, the sun shining brightly with excitement buzzing in the air at the Hong Kong Cyclothon. I felt a surge of empowerment as I tightened my helmet, ready to embrace the 50km ride ahead. But a hint of uncertainty crept in—I couldn’t help but notice I was nearly the only woman among a sea of 3000 cyclists. “Am I in the wrong race, or has road cycling become a male-dominated sport?” I wondered.Cyclothon 2024 The Hong Kong Tourism Board, organizer of the Cyclothon, doesn’t provide gender statistics for the event. Still, the Hong Kong Cycling Association has acknowledged a significant underrepresentation of female cyclists in Hong Kong, spanning both professional athletes and casual riders. They revealed that in open road cycling races, the ratio of men to women is approximately 7:1.<figure class="image"><img src="https://prd-cdn.jessicahk.com/Source_HKTB_8e8a704943.png" alt="Source HKTB.png"><figcaption>Photo Source: HKTB</figcaption></figure>Hong Kong is not particularly bike-friendly. Many commuters, especially women, hesitate to embrace cycling as a viable mode of transportation or leisure activity due to the lack of laws protecting their safety. When cycling on the roads, using lights, wearing a helmet, and securing proper shoes are highly recommended, though not legally required. The absence of dedicated cycling routes has also deterred many from taking up the sport. &nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/Cruising_down_Harbour_City_07096a9abb.jpg" alt="Cruising down Harbour City.jpg"><figcaption>Cruising down Harbour City</figcaption></figure>Natasha Tang, who bikes daily and recently completed a triathlon, noted that she rarely sees or hears of many women cycling, aside from those training for triathlons. &nbsp;“I wear a helmet, gloves, clip-in shoes, a bright cycling outfit, and have lights on the bike,” Tang said. “But people still ask if I’m afraid of cars and buses when cycling on the roads.” For most people, traffic seems to be the main concern, according to Tang.As eco-friendly bike enthusiasts glide through the bustling city streets, they often encounter the chaotic maneuvers of aggressive taxi drivers weaving in and out of traffic, sparking road rage and turning what should be an enjoyable ride into a nerve-wracking ordeal. &nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/Fold_your_bike_in_MTR_2f82539ed3.JPG" alt="Fold your bike in MTR.JPG"><figcaption>Fold your bike in MTR</figcaption></figure>Cycling is even banned along the harborfront on Hong Kong Island and Kowloon, except for a short track segment in the West Kowloon Cultural District. If you’re traveling across the harbor with your bike, the MTR requires you to fold it by removing one wheel. Meanwhile, the Central-TST ferries don’t allow bikes onboard at all. These restrictions limit access and hinder engagement with Hong Kong’s cycling culture—whether for commuting, exploring the city, or exercising. &nbsp;Despite the challenges and potential risks on the roads, a vibrant movement is emerging. Passionate cycling enthusiasts, alongside innovative fashion brands, are forging new and distinctive cycling communities, paving the way for a subculture that is set to thrive. &nbsp;Unlocking A New Community IBike HK, a social cycling group founded in London as IBikeLondon by Anthony Lau, organizes weekly urban rides to help cyclists build more confidence riding in the city. With a current female-to-male rider ratio of 1:10, Lau said they’re eager for more women to experience urban cycling. The weekly meetup start with small rides in familiar environments, aiming to build skill and comfort.<figure class="image"><img src="https://prd-cdn.jessicahk.com/I_Bike_on_Nathan_Road_523c9ff419.jpg" alt="IBike on Nathan Road.jpg"><figcaption>IBike on Nathan Road</figcaption></figure>“Cycling should extend beyond a leisure activity confined to the New Territories or designated bike lanes,” Lau says. Through these rides, he wants to show female cyclists that the roads are safe as long as they stay aware of their surroundings and ride properly—whether on Nathan Road or Connaught Road. &nbsp;In addition to its core mission of promoting road-sharing, IBike also lends bikes and provides quick repair and pumping services. Among the members, some regular cyclists with professional backgrounds in bike mechanics generously volunteer their expertise, fixing bikes for fellow riders before and after rides. &nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/MAAP_Lab_in_Central_b4676d1518.jpg" alt="MAAP Lab in Central.jpg"><figcaption>MAAP Lab in Central</figcaption></figure>Pedal with Panache Fashion plays a pivotal role in making cycling appealing and accessible. A stylish outfit can transform a simple ride into a statement of self-expression. MAAP Lab, a recently opened retail shop in Central, designs clothing that blends functionality with chic aesthetics, empowering women to feel confident on and off the bike. The shop offers a diverse selection of accessories, including stylish helmets, gloves, jackets, and padded socks. As a special touch, you’re welcomed with a complimentary coffee each time you visit. &nbsp;Through the Strava app, MAAP Lab also organizes tailored group rides for different skill levels, including women-only and beginner-friendly options. Its mission is to celebrate the culture, art, and progression of cycling. These rides take place at 7 a.m. every Friday and Saturda.&nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/Feel_the_breeze_and_freedom_1dee53a3d2.jpg" alt="Feel the breeze and freedom.jpg"><figcaption>Feel the breeze and freedom</figcaption></figure>A Sense of Freedom From conquering challenging trails to embarking on long-distance rides, many women have discovered their love for cycling through inspiring journeys that have transformed their lives. Cycling lets you see the world from a fresh perspective, one pedal stroke at a time. &nbsp;Bike Shops/Repair on HK Island: -&nbsp;&nbsp;&nbsp;&nbsp;Cycling Town Bike (Kennedy Town) -&nbsp;&nbsp;&nbsp;&nbsp;Sky Blue Bikes (Kennedy Town) -&nbsp;&nbsp;&nbsp;&nbsp;Bike Station (North Point) -&nbsp;&nbsp;&nbsp;&nbsp;Modern Classic Bicycle Company (Wong Chuk Hang) -&nbsp;&nbsp;&nbsp;&nbsp;BMX (online shop)Cyclists Social Clubs: -&nbsp;&nbsp;&nbsp;&nbsp;MAAP (Central) -&nbsp;&nbsp;&nbsp;&nbsp;Rapha Cycling Club (Sheung Wan) -&nbsp;&nbsp;&nbsp;&nbsp;IBike HKEdited by Caroline Tam

Cass Lam

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Fostering A Vibrant Cycling Culture For Women in Hong Kong

JESSICA - The Woman In You & Me

Nixie Lam: Balancing Public Service, Parenthood, and the Fight for Fertility

龔子珊、張玲、莫宛螢3位體壇女將同膺「2024年十大傑出青年」！展現不斷自我提升的女性力量！

由製衣業訓練局（CITA）主辦及香港特別行政區政府「文創產業發展處」主要贊助的年度亞洲時裝盛事時尚高峰（香港）2024「推動永續時尚業務」將於11月26日至28日隆重舉行，包括首日於香港故宮文化博物館舉行的國際高峰會，以及3場於AIRSIDE舉辦的時裝匯演。<img src="https://prd-cdn.jessicahk.com/Concept_Photo_3_9b640e9f77.jpg" alt="Concept Photo (3).jpg">承接2023主題「永續起行」的可持續時尚潮流，今年主題，香港需要在日常業務中實踐永續發展，建立新的商業模式。時尚高峰（香港）&nbsp;將於11月開設首間「Fashion Summit&nbsp;時尚作品快閃店」，鼓勵和支持香港設計師經營可持續時尚業務。緊接的國際高峰會亦會探討推動永續時尚業務的各種方式，而壓軸3場時裝匯演更會以昔日香港為主題，讓15位海內外知名設計師及本地新晉設計師發揮創意和設計，展現香港跨越世代的時尚魅力。<h4 style="text-align:justify;">舊屋邨、啟德機場及九龍城寨，透過時裝重溫香港光輝歲月</h4>11月27至28日，時尚高峰（香港）將一連2日於AIRSIDE舉辦3場時裝匯演，匯聚15位來自中國、香港、柬埔寨、意大利和俄羅斯的知名及新晉設計師，以及5大香港時裝品牌同場獻技。3大匯演合共呈獻多達180件以昔日香港為主題的永續系列，引領大家重拾舊屋邨、啟德機場及九龍城寨等集體回憶，同時見證各國設計師在可持續時尚方面的創作意念及最新發展。<img src="https://prd-cdn.jessicahk.com/Concept_Photo_2_266a84ac96.jpg" alt="Concept Photo (2).jpg"><img src="https://prd-cdn.jessicahk.com/Concept_Photo_2_095bdb36e3.jpg" alt="Concept Photo (2).jpg"><img src="https://prd-cdn.jessicahk.com/Concept_Photo_5_06af0fe55f.jpg" alt="Concept Photo (5).jpg"><h4 style="text-align:justify;">搶先預告！</h4>時尚高峰（香港）將於11月26日於香港故宮文化博物館舉行為期一天的國際高峰會，邀請海內外時裝界翹楚﹑知名學者、非政府組織代表、傳媒以及來自各行各業的領袖和決策者聚首一堂，交流可持續時尚的最新動向、創新科技、解決方案及機遇等，並通過跨界協作探索具有競爭力的永續時尚商業模式，成就香港時裝業達致可持續發展的願景。此外，首間「時尚作品快閃店」將於11月1至30日登陸啟德Airside GATE33&nbsp;藝文館，除了預覽意大利和香港品牌、新銳年輕設計師的永續時尚系列外，公眾將見證時裝如何對環境與社會議題作出詮釋和文化對話，亦可於場內預購相關單品，快人一步入手心頭好。更多詳情將於稍後公佈，密切留意活動官網及社交媒體專頁。<h4 style="text-align:justify;">拓展永續時尚圈</h4>為引領香港時尚產業向永續發展邁進，時尚高峰（香港）與意大利駐香港總領事館合作，早於今年6月曾派代表團出訪意大利時尚之都米蘭。是次考察為香港永續時尚從業者提供寶貴機會，與當地設計師、時裝品牌、意大利國家時裝商會及意大利中國理事會基金會代表交流推動永續時尚的心得，並向世界級時裝盛事米蘭時裝周的成功經驗借鑑，務求將時尚高峰（香港）打造成具有國際知名度的時裝盛事活動。

時裝盛事時尚高峰（香港）FASHION SUMMIT | 舊屋邨、啟德機場及九龍城寨重現香港絕代風華

心靈療癒是一種尋找內心平靜和心靈安寧的過程，通過情感釋放、自我探索和心靈成長，幫助我們處理生活中的挑戰和創傷。香港註冊藝術治療師（表達藝術）沈劼楠（Kit Shum）深信藝術的力量，將其視為促進心靈療癒的重要工具，透過藝術的媒介引導人們進行情感釋放，啟動自我探索的旅程，並促進心靈的成長。<figure class="image"><img src="https://prd-cdn.jessicahk.com/DJI_20240306113750_0225_D_0d3324f2d5.JPG" alt="DJI_20240306113750_0225_D.JPG"><figcaption>香港註冊藝術治療師（表達藝術）沈劼楠（Kit Shum）</figcaption></figure>Kit 經常與客人建立深層的連結，細心傾聽他們的故事，並通過藝術創作幫助他們表達內在的情感和需求。她說：「表達藝術治療融合多媒體元素，包括視覺藝術、舞蹈、戲劇和音樂，透過非語言方式將潛意識的想法呈現出來。當情緒激動時，內心會產生生動的畫面，如火山爆發，具體且多感官的形象。透過視覺藝術和戲劇，可以生動展現火山爆發的情景，幫助情緒表達和覺知。同時，情緒也可以轉化，就像火山爆發後的雨水帶來平靜，改善心境。透過這些藝術過程，有助於情緒管理和心態調整，讓人更好地理解和處理情感。」當人面臨壓力時，經常進入戰鬥或逃跑模式，這時我們的腎上腺素會急速上升。Kit 指出有些人在這種情況下變得易怒，而逃跑則往往源於驚恐情緒。還有一種狀態就是完全凍結（Freeze mode），這三種狀態並非理想的生存狀態，僅適應短暫危機。雖然腎上腺素刺激時會令行動迅速、思維敏捷，長期保持此狀態會增加壓力荷爾蒙，降低免疫力。藝術能舒緩壓力，促使大腦釋放快樂荷爾蒙，提升免疫力。 而藝術治療有助活化前額葉，促進社交、增強解難能力，拓展聯想，幫助處理個人問題。<img src="https://prd-cdn.jessicahk.com/2024_10_03_3_57_44_3337e55e50.png" alt="螢幕截圖 2024-10-03 下午3.57.44.png"><h2>善用表達藝術治療</h2>在視覺藝術領域中，我們透過各種不同的媒介來表現他們的創造力和獨特風格。每一種藝術媒介都承載著獨特的特質和表達方式，能夠引發觀者各種感官和情感上的共鳴。這種多元性使得藝術作品變得更加豐富多彩。有些人喜歡使用具有強烈觸感的媒介，例如陶泥，這種材料讓他們能夠直接感受到形態的變化和材質的紋理。這種直接的觸感體驗能夠激發他們的創作靈感，使他們更加投入到創作過程中。另一方面，有些人則更傾向於使用乾燥的材料，如木顏料或粉彩，這些材料能夠呈現出獨特的質感和色彩效果，使作品更加生動和豐富。此外，還有一些人會選擇使用濕潤的彩料，例如廣告彩或水彩。這些彩料在畫布上流動的方式和色彩的混合效果能夠營造出柔和和流暢的視覺效果，帶給人一種溫暖和舒適的感受。這些不同的媒介選擇反映了個人的性格特質和藝術取向，展現了他們對藝術創作的熱情和創造力。藝術媒介的選擇不僅僅是在技術層面上的考量，更是一種表達個人性格和情感的方式。例如，一個喜歡秩序和細節的人可能會偏好使用濕潤的媒體，因為這種媒介讓他們能夠在作品中展現出細膩和精準的一面。相反，一個討厭混亂和不規則性的人可能更傾向於使用乾燥的媒體，這樣可以讓他們保持清晰和有序的思維方式。所以，透過不同的藝術媒介，有助於幫助人們從固定的性格和取向轉變為更加靈活和開放的狀態。藉由藝術創作過程，人們不僅可以表達內心的情感和想法，還能夠激發創造力和想像力，讓他們從不同的視角去看待世界和自己。對於那些性格活潑、喜歡活動且喜歡交流的人來說，諸如舞蹈或戲劇等藝術形式可能更為合適。<img src="https://prd-cdn.jessicahk.com/2024_10_03_3_59_55_3af4935938.png" alt="螢幕截圖 2024-10-03 下午3.59.55.png">舞蹈可以讓人們透過身體的動作和節奏表達情感和感受，而戲劇則讓人們能夠扮演不同的角色和情境，體驗不同的生活和情感。通過不斷地探索和交替使用不同的藝術媒介，有助於改變人們固有的性格觀念和執著。藉由藝術創作，人們可以挑戰自己的想法和信念，擴展自己的視野和思維方式，從而實現個人成長和進步。因此，藝術不僅僅是一種表達形式，更是一種能夠啟發和改變的力量，深刻地影響著人們的心理狀態和觀點。&nbsp;

藝術治療：促進心靈療癒的方法

&nbsp;意大利時尚品牌MAX&amp;Co.於在中環dragon-i隆重舉行2024秋冬時裝騷，時裝秀現場設置了多個MAX&amp;Co.標誌性紅色的霓虹燈裝置，場內亦擺放著品牌與意大利藝術家Pietro Terzini聯乘推出的BLABLABLA系列，融合繽紛色彩和輕鬆有趣的創意標語，營造出時尚幽默的迷因風格。<img src="https://prd-cdn.jessicahk.com/2_686411a11f.jpg" alt="2.jpg">2024秋冬時裝騷展示了多套充滿個性的服飾作品，傳遞出品牌今季傳遞的口號#NoFakeSmiles，不該受任何限制，展現真我，任意搭配。<img src="https://prd-cdn.jessicahk.com/3_e2d20cd04b.jpg" alt="3.jpg">除了經典的牛仔服、襯衫和西裝外套，本季系列還融入了90年代的復古元素，如鉛筆裙、吊帶連身裙、印花西裝和流暢的緞面西裝外套等，為秋冬季節注入全新的穿搭靈感。MAX&amp;Co.&nbsp;煥醒重拾真我的情懷、隨性自在的態度，讓都市人注入一股從容自信的時尚氣息。<img src="https://prd-cdn.jessicahk.com/4_33d5b7622b.jpg" alt="4.jpg">&nbsp;

MAX&Co. 2024秋冬系列 | 融入90年代的復古元素

結合運動、藝術、慈善與美食！以攝影大師作品訴說10位香港運動員的獨特故事！

MIRROR 作為香港天團，出道 6 年一改香港娛樂圈沉寂已久的局面。 近年，12 子陸續個人發展，馬不停蹄輪流出歌開騷拍劇拍戲，論人氣、論熱度， 也不次於合體的組合聲勢，位位都能獨當一面，成為新世代熱捧的偶像。 這一次，12 子分為 3 小組，當中年紀較輕的姜濤、Anson Lo 、Jeremy 和 Edan 首度集合， 推出了一首以甜蜜戀愛為題的全新歌曲《Strawberry Love》， 4 人異口同聲均表示這是他們的嶄新嘗試，藉以讓他們大肆販賣青春， 讓一眾鏡粉都可以投入這股熾熱的夏日氣氛！<figure class="image"><img src="https://prd-cdn.jessicahk.com/1_efb8d5a0c8.jpg" alt="1.jpg"><figcaption>(On Keung To) KENZO jacket CHOPARD Ice cube collection diamond earring, necklace and diamond ring (On Anson Lo) FENDI coat and pants KENZO cardigan BVLGARI Serpenti earring and rings, Tubogas necklace and bracelet (On Jeremy Lee) FENDI jacket and sweater BVLGARI Serpenti earring, necklace, bracelet, and Serpenti Tubogas ring (On Edan Lui) BRUNELLO CUCINELLI jacket, sweater and pants SUMMER VIBE BVLGARI B.zero1 earring, necklace, and rings</figcaption></figure> Text: Luis Chong&nbsp; Art Direction &amp; Photography: Matt Hui&nbsp; Styling: Sol So &amp; Lucas Tang&nbsp; Makeup: Rainbow Chung, Mayling Suen @Annie G. Chan Makeup Centre &amp; Deep Choi @Deepmakeup&nbsp; Hair: Man Chan, Lydia Yung, Denny Ku @Private I Salon<figure class="image"><img src="https://prd-cdn.jessicahk.com/jes285_coverstory02_2af6d8be0e.jpg" alt="jes285_coverstory02.jpg"><figcaption>FENDI jacket, sweater and pants Shoes (stylist's own) BVLGARI Serpenti earring, ring, and bracelets</figcaption></figure><h2 style="text-align:justify;">STRAWBERRY LOVE</h2>MIRROR 打從《全民造星》選秀節目開始便以跳唱掛帥， 每次 12 子推出團歌都會令一眾鏡粉為之瘋狂。2024 年頭炮的這一首小組「團」歌、首度由姜濤、Anson Lo 、Jeremy 和 Edan 4 人小組形式合唱，並鮮有撇低男團勁歌熱舞的既定形象，以甜蜜初戀作新歌主題大玩小清新。《Strawberry Love 》 歌詞甜蜜，直接的告白、示愛字句，原來是出自 Serrini 的手 筆，輕快旋律讓人感受到 4 位大男孩可愛、陽光的一面。「新 歌想唱出如 strawberry 一般的甜蜜感覺，是一首關於追女仔的 sweet song。」<figure class="image"><img src="https://prd-cdn.jessicahk.com/jes285_coverstory03_0b43e19919.jpg" alt="jes285_coverstory03.jpg"><figcaption>FERRAGAMO jacket BVLGARI Serpenti earring and necklace</figcaption></figure>Jeremy 如是說，更表示終於可以於 30 歲 前大賣青春本錢。他自言跟姜濤、Anson Lo 和 Edan 都特別 鍾情 K-Pop，新歌具備大家喜歡的元素，練舞、拍 MV 時都 猶其合拍。<figure class="image"><img src="https://prd-cdn.jessicahk.com/jes285_coverstory04_279c43f6ca.jpg" alt="jes285_coverstory04.jpg"><figcaption>FERRAGAMO jacket BVLGARI Serpenti earring, ring, and bracelets</figcaption></figure>&nbsp;4 子更特別遠赴泰國取景為新歌拍攝 MV ，Edan 對 MV 內的新嘗試還感到相當興奮，「第一次跟泰國團隊合 作很滿意，不論是前期製作、後期剪接、調色都極富心思， 大家也會看到我們少有穿上夏季裝束，自己也首次在 MV 內 『駕車』，加上泰國陽光與海灘的美景，整個氛圍都非常青春 活潑。」MV 更請來了泰國女演員擔任女主角，「MV內的故事情節，是講述我們 4 個同一時間追求這位女生，不過重點 卻落於我們大細路的玩樂情節。」姜濤更笑說可能是因為女主角在內大派好人卡，所以他們4個最後都成功。他還強調 《Strawberry Love》內的舞蹈手勢非常 signature，希望大家可 以跟着一起跳，一起感受夏日的輕鬆愉快心情。 &nbsp;<figure class="image"><img src="https://prd-cdn.jessicahk.com/jes285_coverstory05_a61ba85f21.jpg" alt="jes285_coverstory05.jpg"><figcaption>FENDI coat and pants KENZO cardigan EMPORIO ARMANI leather boots BVLGARI Serpenti earring and rings, Tubogas necklace and bracelet</figcaption></figure>&nbsp;<h2 style="text-align:justify;">MY FIRST LOVE</h2>新歌《Strawberry Love》甜蜜滿瀉， 4 位大男孩對於戀愛這課題卻有着不一樣的見解。 4 位正值事業搏殺黃金時期， 當然認為愛情不是眼下最重要的，但對愛情也總有憧憬，一 切關乎是否適合的時間遇上適合的對象。「對我來說，愛情現階段未是 priority，可能是自己在拍拖上未有太多經驗。每 當唱有關愛情主題的歌曲，都是靠想像而來。」Jeremy 對泰 國電影《初戀這件小事》印象難忘，初中時看過後見識到戀愛 的威力，原來就在於可以徹底改變一個人。<figure class="image"><img src="https://prd-cdn.jessicahk.com/jes285_coverstory06_d60ba6f87c.jpg" alt="jes285_coverstory06.jpg"><figcaption>ZEGNA sweater and pants BVLGARI B.zero1 earring and rings, Tubogas necklace, and BVLGARI BVLGARI watch</figcaption></figure>Anson Lo 還記得 puppy love發生於小學六年級，當時還大膽跟同學們 ‘double date’，最後驚動學校要見家長，「自己喜歡一個人一定會勇 敢表白，即使未必感受到對方對自己有意思、也一定會主動 爭取。雖然着重儀式感，但甜蜜的定義於我來說，兩個人簡 簡單單在一起已經足夠。」姜濤則打趣說如果愛情是人生必需品，他過去二十幾年的人生豈非是白過？「我覺得暗戀一點也不甜蜜，因為以前暗戀的對象都不會跟我在一起，大家都說不需要表白這個過程，而是兩個人對大家有意思，就會很自然走在一起。」<figure class="image"><img src="https://prd-cdn.jessicahk.com/jes285_coverstory07_c08dbbca5d.jpg" alt="jes285_coverstory07.jpg"><figcaption>FENDI coat and pants KENZO cardigan BVLGARI Serpenti earring and rings, Tubogas necklace and bracelet</figcaption></figure>Edan 說自己比較早熟，上幼稚園時便開始 暗戀同學，初戀則發生在初中少男時期，當時還是 SMS 年代，puppy love 的印象不算太深刻，「自己偏向一見鍾情，第 一感覺很重要。」Edan 相信一切皆屬緣份，自己也不會勉強， 「愛情可以給予對方很多力量，但也同時可以消耗很多力量。 可以互相陪伴和支持，對我來說就是最甜蜜的戀愛。」<figure class="image"><img src="https://prd-cdn.jessicahk.com/jes285_coverstory08_52fe7885e7.jpg" alt="jes285_coverstory08.jpg"><figcaption>(On Anson Lo) ZEGNA sweater, pants and shoes BVLGARI B.zero1 earring and rings, Tubogas necklace and BVLGARI BVLGARI watch (On Jeremy Lee) FERRAGAMO jacket and pants Emporio Armani leather boots BVLGARI Serpenti earring, bracelet, and ring (On Edan Lui) KENZO jacket and pants VERSACE leather boots BVLGARI B.zero1 earring, necklaces, and rings (On Keung To) ZEGNA Sweater CHOPARD Happy Spirit collection diamond necklace and Happy Diamonds collection diamond earring, Ice cube collection bangles and diamond rings, and L.U.C XPS watch in Lucent Steel™</figcaption></figure><h2 style="text-align:justify;">TAKE THE ROAD MIRROR</h2>絕對是本地娛圈最熱最紅的單位，12 子的個 人發展也相當不俗，出道以來歌影視都不乏他們的身影。 Jeremy 坦言自己最享受舞台，在舞台上可完全投入自己的表演、也可盡情感受觀眾的歡呼聲，整件事很有力量，那種 抗奮感覺絕非筆墨可形容。而提到即將跟 COLLAR 合作開騷，他表示，「非常期待，因為大家都是《造星》出身，以前 比賽時就很習慣不停換組表演，今次跟 Jer 、Stanley 、Marf 、 Sumling 和 Winka 合作，就可以變化出很多不同的組合，而 且又是勁歌熱舞，很有火花。」Jeremy 說時喜上眉梢，完全 讓人感受到他對舞台的熱愛。<figure class="image"><img src="https://prd-cdn.jessicahk.com/jes285_coverstory09_61cee9470a.jpg" alt="jes285_coverstory09.jpg"><figcaption>BRUNELLO CUCINELLI jacket, cardigan, pants and shoes BVLGARI B.zero1 earring and necklace</figcaption></figure>至於 Anson Lo 最近則請來陳慧琳 feature 他的新歌《深閏》，他感激 Kelly 一直以來的鼓勵，自己亦十分欣賞這位大前輩，「第一次正式跟 Kelly 合作 是馬場的表演，當時已覺得她很懂得享受工作，認真之餘也 能放鬆心情，也多謝她一直以來都有留意自己，錄音期間給予我很多寶貴意見，新歌的合作相當順利和愉快！」他自言最近開始明白如何享受工作，也會堅持每天的 me time 來維持 work-life balance。Edan 算是團內百足最多爪的成員，他 最近參與拍攝由「紙盒藏屍案」改篇而成的電影，在內長髮的造型早前亦已曝光，「這已是第 5 度參演電影，但這一次的 拍攝過程讓我體驗很深，除了有很多動作、打鬥場面，戲內情節橫跨幾個年代，自己要由 20 歲演到 40 歲，當中的內心戲都是一大挑戰！」<figure class="image"><img src="https://prd-cdn.jessicahk.com/jes285_coverstory10_2af6b11a5e.jpg" alt="jes285_coverstory10.jpg"><figcaption>KENZO jacket and pants VERSACE leather boots BVLGARI B.zero1 earring, necklaces, and rings</figcaption></figure>Edan緊接其後便會加入劇組，新劇將會與劇帝謝君豪合作，且看又會擦出甚麼新火花。提到剛與馮 德倫合作新歌《Every Single Time 》MV 拍攝的姜濤，他表示， 「是一次很偶然的機會遇到 Stephen，就促成了這次的合作， 發覺我們喜歡的東西都很符合這首歌的風格。」<figure class="image"><img src="https://prd-cdn.jessicahk.com/jes285_coverstory11_dba77ba7bc.jpg" alt="jes285_coverstory11.jpg"><figcaption>KENZO jacket and pants BVLGARI B.zero1 earring, necklaces, and rings</figcaption></figure>一切順其自然發生，MV 於台灣拍攝取景，更正中姜濤的下壞，「自己一直都想跟台灣團隊合作，排舞老師也是偶像小豬御用的，之前《Dummy》已合作過，兩度合作對對方更為了解。」4 子將工作排得密密麻麻，忙得不可開交的同時，也逐漸找對自已的方向，寓工作於娛樂，向着夢想不停進發，不就是最理想的人生目標嗎？<figure class="image"><img src="https://prd-cdn.jessicahk.com/jes285_coverstory12_a776c328a9.jpg" alt="jes285_coverstory12.jpg"><figcaption>KENZO jacket CHOPARD L´Heure Du Diamant collection diamond pendant and Happy Diamonds collection diamond earring</figcaption></figure><figure class="image"><img src="https://prd-cdn.jessicahk.com/jes285_coverstory13_e07c97b8dc.jpg" alt="jes285_coverstory13.jpg"><figcaption>ZEGNA sweater CHOPARD Happy Spirit collection diamond necklace and Happy Diamonds collection diamond earring, Ice cube collection bangles and diamond rings, L.U.C XPS watch in Lucent Steel™</figcaption></figure><figure class="image"><img src="https://prd-cdn.jessicahk.com/jes285_coverstory14_4ab266a489.jpg" alt="jes285_coverstory14.jpg"><figcaption>KENZO jacket CHOPARD Happy Diamonds collection diamond earring and Ice cube collection diamond ring</figcaption></figure><figure class="image"><img src="https://prd-cdn.jessicahk.com/jes285_coverstory15_7f55b17d72.jpg" alt="jes285_coverstory15.jpg"><figcaption>(On Keung To) ZEGNA sweater CHOPARD Happy Spirit collection diamond necklace and Happy Diamonds collection diamond earring, Ice cube collection bangles and diamond rings, L.U.C XPS watch in Lucent Steel™ (On Jeremy Lee) FERRAGAMO jacket and pants BVLGARI Serpenti earring (On Anson Lo) ZEGNA sweater and pants BVLGARI B.zero1 earring, Tubogas necklace, and BVLGARI BVLGARI watch (On Edan Lui) KENZO jacket and pants BVLGARI B.zero1 earring and necklaces</figcaption></figure>

【封面人物】SUMMER VIBE ｜  Anson Lo ．Edan Lui． Jeremy Lee． Keung To

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Looking forward to a better and bigger year ！!

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